WorldcatĮmily Wilbourne, Seventeenth-Century Opera and the Sound of the Commedia dell’Arte Julia Foulkes, A Place for Us: 'West Side Story' and New York John Corbett, A Listener’s Guide to Free Improvisation Worldcatīill Dahl, The Art of the Blues: A Visual Treasury of Black Music's Golden Age Worldcatīeverly Jerold, Music Performance Issues: 1600-1900 Nahid Siamdoust, Soundtrack of the Revolution: The Politics of Music in Iran

New Perspectives on his Life and Musicīrepols, 2016. Jessie Ann Owens and Katelijne Schiltz, eds., Cipriano de Rore. Jerome Rossi, La Musique de film en France : courants, specificites, evolutions Worldcatīernard Bardet, Les Violons de la musique de la chambre du roi sous Louis XIV Michal Poiotr Mrozowicki, Richard Wagner et sa reception en France, du ressentiment a l’enthousiasme (1883-1893) Worldcatīrigitte Massin, ed., Celebrer-profaner, dynamiques de l'ecoute et de la creation musicaleĪmbronay Editions, 2016. WorldcatĬatherine Deutsch and Caroline Giron-Panel, eds., Pratiques musicales feminines : discours, normes, representations Jane Gottlieb, Music Library and Research Skills (2d ed.) Giuseppe Sigismondo, Apotheosis of Music in the Kingdom of NaplesĮd. Jeffrey Hamburger et al., Liturgical Life and Latin Learning at Paradies bei Soest, 1300-1425: Inscription and Illumination in the Choir Books of a North German Dominican ConventĢ vols. Huib Schippers and Catherine Grant, eds., Sustainable Futures for Music Cultures: An Ecological Perspective Brewer, Singing Sedition: Piety and Politics in the Music of William Billings Esti Sheinbergīenedict Taylor, Towards a Harmonic Grammar of Grieg’s Late Piano Music: Nature and Nationalism Robert Walser, ed., The Christopher Small Reader Un capitolo inedito della storia musicale dell’Ottocento Mariateresa Storino, Franz Liszt e Jessie Taylor Laussot Hillebrand.

The Music of Animaniacs by Lisa Scoggin